Showing Records: 101 - 120 of 147
Portrait du Jazz en Mere-Grand / Bar, Alain; DaRos F., 1985
Bar executed nine colored engravings for nine poems by nine authors texts, namely: Francis Marmande, Perol Jean, Jean Echenoz, Joelle Leandre, John Ramallo, Andre Velter, Yves Buin, Danielle Bello, and Andre Hodier. The foreword was written by Lucien Masson. This work was awarded the first prize in the Festival of the Book held at Soultz, France in 2004. -- Source of annotation: Marvin or Ruth Sackner.
Post-Art International Exhibition / Harry Polkinhorn, curator ; Nagy P ; Fierens L ; Petocz A ; Groh K ; Polkinhorn H ; Mayer P ; Barbot G ; Keppler J ; Hill C ; Dunn L ; And M ; Was E ; Miskowski M ; Porter B ; Gorman L ; Rehfeldt R ; Baroni V ; Pittore-Eurifico C ; Bruscky P ; Galdamez J ; Rosenberg MR ; Morandi E ; Dudek-Durer A ; Maggi R ; Perkins S ; Roncoroni F ; Kamperelic R ; Kamperelic D ; Aguiar F ; Deisler G ; Minarelli E ; Calleja JM., 1988
This exhibition was curated by Harry Polkinhorn who also wrote an introductory essay. He mentions that this exhibition is the next step in the evolution of the "Il International Biennial of Visual and Alternative Poetry 1987-1988" recently mounted in Mexico. -- Source of annotation: Marvin or Ruth Sackner.
Postfluxpostbooklet: After Zaum. No.15 / Serge Segay ; Robin Crozier ; Luce Fierens., 1991
Postfluxpostbooklet: Electro-city. No.32/Jul-Aug / Luc Fierens., 1994
Primavera Moscovita , 1989
Project For A Concert Of The Beauty In Breathing / Mennitti-Paraito, Emanuele., 1990
Image is a portrait of Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.
Projecto "Sonetizar o Mundo" 74/94 / Khouri, Omar., 1994
Poet is of Turkish extraction and one of the prints apparently depicts a photographic image of his mother in Pirajui, Turkey in 1974. -- Source of annotation: Marvin or Ruth Sackner.
Purgatory House of Post Cards: The proper mechanics for making a skyscraper in a small town (excerpt). No.10 / Max Schreier., 2008
Quadri di una Esposizione 1980-1988 / Ori, Luciano ; Dorfles G., 1988
For this exhibition Ori, envisioned a "virtual concert" from images of his work. -- Source of annotation: Marvin or Ruth Sackner.
[Reproductions of Works] / Danon, Betty., 1977 - 1978
Ride the Dance Down, 1991
Commissioned for "The Beauty In Breathing" exhibition. Highly stylized image of the lungs with words and symbols used to illustrate the act of breathing, which the artist has depicted as a musical event. -- Source of annotation: Marvin or Ruth Sackner.
Rondo Library Miscellany / Bart, Harriet, editor ; Warnke U ; Kostelanetz R ; Luis C ; Ernst KS ; Lohr H ; Murphy S ; Helmes S ; Huth G ; Gallo P ; Grumman B ; Hasekura T ; Bennett JM ; Keith B., 2006
This work was commissioned as a work of public art. The poems comprising this work were etched into a 20 foot long glass wall. Stored flat on top of a box in the B section of books. -- Source of annotation: Marvin or Ruth Sackner.
Rondo Library Miscellany / Bart, Harriet, editor ; Warnke U ; Kostelanetz R ; Luis C ; Ernst KS ; Lohr H ; Murphy S ; Helmes S ; Huth G ; Gallo P ; Grumman B ; Hasekura T ; Bennett JM ; Keith B., 2006
This work was commissioned as a work of public art. The poems comprising this work were etched into a 20 foot long glass wall. Stored flat on top of a box in the B section of books. -- Source of annotation: Marvin or Ruth Sackner.
Scratch Music / Cardew, Cornelius, editor ; Phillips T., 1974
Tom Phillips contribution to the Scratch Music catalogue involved extracts from "Irma" and postcard images as the basis for a performance piece. -- Source of annotation: Marvin or Ruth Sackner.
Scriptura: Writing of Music. No.91 / Hans Adolf Halbey, editor ; Wolfli A., 1991
Sound and the Visual Arts / Bosseur, Jean-Yves ; Brian Holmes, translator ; Peter Carrier, translator ; Cage J ; Feldman M ; Mallarme S ; Apollinaire G ; Phillips T ; Furnival J ; Moholy-Nagy L ; Knizak M ; Ori L ; Higgins D ; Isou I ; Lemaitre M., 1993
The section on Tom Phillips begins by stating that his work "defies all restrictive notions of style and all bids to establish fixed aesthtic categories...The musical output of Tom Phillips is much more than a side aspect of his activity as a painter in that is lends an original dimension, along experimental lines, to the relation between musician and score...Whenever TP makes artistic use of a notation of a musical instrument, he insinuates an interpretation of both temporal and spacial characte -- Source of annotation: Marvin or Ruth Sackner.
Soundless - for Marvin and Ruth Sackner / Topel, Andrew., 2011
Sounds & Scores / Dellafiora, David., 2009
This was described as a sounds amd visual recording project with students and artists collaborating. -- Source of annotation: Marvin or Ruth Sackner.